“The most important things are the hardest to say. They are the things you get ashamed of, because words diminish them — words shrink things that seemed limitless when they were in your head to no more than living size when they’re brought out. But it’s more than that, isn’t it? The most important things lie too close to wherever your secret heart is buried, like landmarks to a treasure your enemies would love to steal away. And you may make revelations that cost you dearly only to have people look at you in a funny way, not understanding what you’ve said at all, or why you thought it was so important that you almost cried while you were saying it. That’s the worst, I think. When the secret stays locked within not for want of a teller but for want of an understanding ear.” (Stephen King)
You can follow Midge at her site. You will also find a link here to her blog where she covers topics related to writing and reading and posts writing prompts. And if you haven’t read her article in the latest issue of Poets & Writers “My Book Is a Year Old, Now What? How to Keep the Buzz Alive”, I recommend it. Here is a link.
Midge Raymond is the author of the story collection Forgetting English, which received the Spokane Prize for Short Fiction. Originally published by Eastern Washington University Press in 2009, an expanded edition was published by Press 53 in 2011. She is also the author of Everyday Writing: Tips and Prompts to Fit Your Regularly Scheduled Life, and the companion title Everyday Book Marketing. Her award-winning stories have appeared in TriQuarterly, Bellevue Literary Review, the Los Angeles Times, and many other publications.
I chose the Lithia Springs Resort as the site for Claim Your Story because it’s beyond charming and comfortable. Mineral springs piped into a sweet bungalow is a slice of heaven in my opinion. It’s situated among gardens heavy on the wisteria and blooms and winding paths. So serene and inspiring. We’ve also come to enjoy the professionalism of the staff and how they help with every conference detail and serve delicious food. Please contact them to reserve your place for a discounted rate.
Back in the day, this was called Jackson Hot Springs.
“Usually, I have a lot of acquaintance with the story before I start writing it. When I didn’t have regular time to give to writing, stories would just be working in my head for so long that when I started to write I was deep into them. Now, I do that work by filling notebooks.” ~ alice munro
Check out Robert Arellano’s interview in 1859oregonmagazine.com
Here’s an excerpt:
Tell us about your creative process.
I get up at 3 a.m. and sit down to write at a window looking out on the lights of Medford burning in the night. I dim the screen in the dark and type like my life depends on it against the approaching dawn, the mercury-vapor lamps on 99 gradually cooling to embers. Shouldering her way back into the picture, Roxy Ann slowly takes shape, looming black against a coal-grey Rogue Valley sky. An airplane rises straight out of MFR, over the house, and out of sight, and suddenly boom! the lightburst of a Siskiyou sunrise. Sometimes, I’ll find a quiet hour to write at one of my favorite watering holes like Omar’s in Ashland. Sitting alone in the corner with his laptop, I’m the guy you look over at and say, “Now there’s a literary fellow. He’s probably writing a book. Hope he doesn’t put me in it.”
To all who helped put together and make our first Claim Your Story Writing Conference a success. Appreciate Lidia Yuknavitch and Alissa Lukara for teaching, Marlene and Scott of the Ashland Springs Hotel catering department, the staff at Lithia Springs, and the writers who attended. Thanks too to Judy Lara for her help, and always big thanks to my partner in crime Jay Collins. We were amazed at the level of talent and creativity in that room and, as always, had a lovely stay while in Ashland.
(This is one of my favorite paintings I’ve seen in real life. It reminds me of Lithia Springs Resort, was painted by the great Henri Matisse, and is displayed at the Los Angeles County Museum of Art.)
Would love to see you in Ashland at the beautiful Lithia Springs Resort on the 19th for the first annual Claim Your Story Writing Conference.If you’ve been wavering about registering, please do so before 10/9 when I need to give the final count for the catered lunch and beverages.
Also, to receive your group rate (discount) for staying at the resort, please phone to register at 1-800-482-7128
If you have questions I can be contacted at jessicapage(@)spiritone(dot)com
RESERVATIONS for the conference may be made by check or through PayPal using the above email address.
Q: I understand that health problems lead you to write your memoir Riding Grace:A Triumph of the Soul. If a writer is contemplating writing a memoir or stories from life, how should he or she approach such a daunting project?
A:Writers often get stuck contemplating how and where to start and end their memoirs or they feel overwhelmed by the sheer volume of material, not knowing what stories from their lives to include that will appeal to readers. I suggest you focus first on the transformational journey you want to convey.
You were one person when you started. Then, by the end of the life segment you want to write about, you had changed. Maybe you went from being lost to finding courage and strength. Or, like me, you faced a health challenge that had no cure and then you healed in more ways – body, mind, and spirit – than you imagined.
To begin ask yourself what are the one or two main messages you want to convey about that time? What are the one or two main lessons you learned? What life theme did you explore? Then, consider what stories from your life, relationships, conversations – both the high points and the key struggles and obstacles –show those main changes, messages and lessons. Write those stories first and you are on your way.
My memoir, Riding Grace: A Triumph of the Soul, covered 12 years of a healing journey.When the illness appeared, I had already been a professional writer, with a nonfiction book published by a large traditional publisher. So writing was my natural form of expressing what I was called to share about this life-changing event. At first, I started writing all the breakthrough stories of my healing experiences and ended up with 1000 pages without a viable structure. And I knew no publisher would touch it at that length.
When I asked myself those three questions, I found the core message of my book and I cut 800 pages. Some of those 800 pages included meaningful, beautiful writing and stories. But I learned to stay focused on the transformational story and message I most wanted to convey.
Q: Can you talk more about the workshop you’re teaching at Claim Your Story and your approach to teaching and mentoring other writers?
A: Most writers I know and work with face writing challenges that go beyond questions of craft while creating a book – from fear and self-doubt to lack of time and the inner critic. Yet many writers feel alone in these inner struggles. They are not.
These challenges are a natural part of the writing process. Writing challenges are like the “guardians at the gate” on the journey to completing your book. Each time you face one and pass through a gate, you build confidence and hone your writing skills. Writing challenges also hold opportunities such as teaching you to deepen your self-expression and commitment to writing.
We will be discussing three core—– of all writing challenges, the challenges themselves and offer lots of practical tips and keys to transforming them. And I share personal experiences and the experiences of other writers as well.
I’ll be sharing what worked for me and we’ll spend time on guided writings and prompts and to inspire them to find their own natural rhythm and style of writing within busy lives and work schedules.
Q: What challenges do you face when you write?
A: The shorter question would be what challenges do not still drop by from time to time. The difference now is that I have tools to use to transform them into energy for writing and to glean the messages they bring me about my writing.
I also have a knowing deep in my heart that I have gotten through them before. I can and will do it again. I have a choice. Persistence is such a key for me. I acknowledge the challenge, and I continue to show up and write. I hold my larger purpose in my heart.
Q: What is your best advice for writers in 12 words or less?
A: Show up. Write for yourself first. However you write it is right.
Q: When you are not writing how do occupy your time?
A: Going to movies, reading, hiking and exercising, spending time with family and friends, rejuvenating in nature and my garden, meditating, playing with my cat, and – let me not forget – doing all that is involved in promoting the various aspects of a writing business from social media to speaking.
Q:What books are on your night stand?
A: Proof of Heaven by Eban Alexander, Lacuna by Barbara Kingsolver and A Year With Hafiz: Daily Contemplations, poems by Hafiz and Daniel Ladinsky
Q: What’s next for you?
A: I am writing a novel entitled Secrets of the Trees. Set in the aftermath of the fall of Soviet rule in Latvia in 1993, it is about fraternal twins traveling there to search for answers to an ancestral mystery that lies in secrets hidden in an ancient forest, the heart of a classical ballet dancer they are destined to meet and the massive singing revolution that brought freedom to the Baltics after 50 years of Soviet oppression.
I continue to blog on writing and support writers to write and complete their books and stories through writing coaching, editing and classes for memoir, nonfiction and fiction writing at Transformationalwriters.com. I am also developing a series of new writing mentoring classes, including one called In the Writing Zone: A Writing Inspiration, Craft and Transformation Extravaganza, another one on Writing the Transformational Journey and a third on transforming writing challenges, which builds on the presentation I am making at Claim Your Story.